There’s a breathless frustration that burns through All My Life’s verses and over that scratched riff that isn’t quite resolved by the anthemic chorus. ‘Closer to the prize at the end of the rope,’ as Dave reckons on the album’s throbbing lead single. ’90s grunginess was left behind, replaced by a heavy, polished hard rock that would soon catapult them to festival headlines and into stadia. “And then I wound up getting a divorce.” That incredible one-breath bridge ( ‘One last thing before I quit! / I never wanted any more than I could fit into my head! / I still remember every single word you said / And all the shit that somehow came along with it! / Still, there's one thing that comforts me / Since I was always caged and now I'm free!’) remains their most brilliantly bristling moment.Īlthough the Nirvana-related heat had been there since their inception, and the three preceding albums (each of which picked up K!’s respective album of the year award) were all-time greats, it was One By One which properly rocket-boosted the Foos’ final ascent to megastardom. “It's about living with someone and feeling like you're living in a fucking cell,” he reckoned. Interestingly, like Everlong, Dave told Mojo that the song was inspired by his failing marriage at the time. Where that masterpiece showcased the depth of thought and feeling in Foo Fighters’ sound, however, it was the sense of immediate, smash-mouth momentum and fist-in-the-air catharsis of Monkey Wrench that would, shorter term, propel them towards rock’s big leagues. Looking back, it feels bewildering that the lead single from The Colour And The Shape could’ve been anything other than the epic, definitive Everlong. So, which songs are most emblematic of rock’s greatest everymen? Let's find out… Across nine albums and countless live performances – years of stress and self-doubt, disenchantment and injury – it has been the consistency and reliability of the Foos’ output (and a simple lack of pretentiousness) that has maintained connection with the average fan in the stands even as they have moved into stadia. Of even more importance has been the desire to endure. Even still, the supernova spark of this new sound feels genuinely like that once-in-a-lifetime instance of lightning striking twice.Ī large part of the Foos phenomenon has been Dave’s uncanny knack for having like-minds gravitate into his orbit, with sporadically-involved guitarist and Nirvana collaborator Pat Smear, and Nate Mendel having been involved since day one, while drummer Taylor Hawkins dared take on one of the most demanding roles in rock, Me First And The Gimme Gimmes guitarist Chris Shiflett came aboard in 1999 and Wallflowers keyboardist Rami Jaffee has played a part since 2005. Embracing the lessons learned during that first behind-the-kit stint on top of the world, but replacing much of Kurt Cobain’s despondency with his own energy and optimism, failure was never really an option. The Foos and a special guest will return to the show again tomorrow to unveil another, sure to be blistering, cover.A quarter century ago, when Dave Grohl went from being the ex-drummer in Nirvana to the frontman of his own fledgling band, even his most ardent believers would’ve struggled to conceive the success Foo Fighters have gone on to achieve. Yes, Foo Fighters Week is officially in full gear. “So in the episode you hear us interviewing these famous musicians, you’re getting the history of the city, the regional relevance of the music from that city but you also see us putting a song together,” Dave Grohl told Letterman in an interview on last night’s show.įoo Fighters have also confirmed that the first full tune from Sonic Highways will makes its official debut this Friday morning (AEDT). Sonic Highways is also the name of the band’s forthcoming HBO series, which follows Foo Fighters as they record in eight different US cities: Chicago, Austin, Nashville, Los Angeles, Seattle, New Orleans, Washington DC, and New York. Ann and Nancy Wilson, Foo Fighters, that’s all you need to know.” Foo Fighters are, in fact, doing this every night, for a week at least, performing a number of covers on The Late Show with artists who either appear on or inspired their forthcoming eighth studio album, Sonic Highways. “Every night it’s a party, ladies and gentlemen. “I don’t know…we should do this every night,” said David Letterman following the performance.
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